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Friday August 29, 2008
Under communism, ballet students were driven to achieve international fame for the glory of the state. In Putin’s Russia, nothing has changed
The National Ballet of China shows the new face of Chinese ballet - modern, distinctive and straight from the heart
The National Ballet of China has a strange approach to a performance that even so shows off its technical brilliance
The dancing, while certainly adroit, seems supplementary to the music, which, written by Blake and Burch, dovetail perfectly
The troubled country’s State Ballet gives a moving performance that will last long in the memory, says David Dougill
The New Art dances were rib-tickling while Ananiashvili's State Ballet were displayed in admirably full-blooded form
This was a show of strength from Georgia and a signature role for its prima ballerina Nina Ananiashvili
St Andrew’s and St George’s Church, Edinburgh, various dates until August 22, 0131 226 0026
An acrobatic version of Swan Lake rises to the occasion, capturing the mood of the ballet in a dazzling display
The Guangdong Acrobatic Troupe of China recasts Tchaikovsky’s ballet as a backdrop to an eye-watering physical display
Edinburgh Playhouse, Sat - Sun: Mixed bill. Playhouse, Aug 12 - 13
National Ballet of China’s production showed technical excellence, but little passion
The 1950s gang musical is a listed building in theatre terms - more’s the pity, says Christopher Hart
Denis Matvienko and Anastasya Matvienko brought beautiful, immaculate, refined and robust dancing to their leading roles
Storytelling is wildly unbalanced, too much attention is paid to Crassus, our villain, and not enough to Spartacus, our hero
Chinese acrobats, the Guangdong Military Acrobatic Troupe, are staging a cultural revolution in ballet
What this magical production lacks in the text it more than makes up for in the humanity and grotesquery of its puppetry
When they tour, arts companies create a buzz of economic and political activity, finds David Jays in Beijing
English National Ballet and Birmingham Royal Ballet both serve up triple bills - the revivals edge it over new works
Le Baiser de la fée (The Fairy's Kiss) is the centrepiece of a triple bill that is part of Birmingham Royal Ballet's tribute to Stravinsky
The Sunday Times sees BRB’s magical Giselle and the return of Kelly’s heroes
Students of English National Ballet School complete final dress rehearsal before the school’s 20th anniversary performance
Dawson’s sleek choreography, set to the felicitous rhythms of Bach, spurred the dancers on to great technical achievements
Read the training tips and advice that helped our London Triathletes
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Read our exclusive 100 Years of Fleming and Bond interactive timeline, packed with original Times articles and reviews
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