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Tuesday December 2, 2008
She and they are equally committed in the Second Concerto, composed in 1936, but unperformed until this very recording
If you’re not already addicted to Lanegan’s growl and Campbell’s whisper, this is as good a place as any to get acquainted
She has chosen songs beloved of all Schubertians, masterpieces all, but she sings them without much sense of differentiation
Trying to squeeze the formula into the confines of a disc is a thankless task, but you get the drift
On tour with the Crusaders pianist Joe Sample, she has been digging deeper into the jazz tradition
Early electronic music, usually made by lab-coated BBC Radiophonic Workshop eggheads more interested in oscillator capacity
The post-Schoenbergian idiom of Berio’s Cinque variazioni is more graspable in this formal context
The autotune vocals and 1980s aesthetic start out fresh, but, over 14 similarly produced tracks, soon get boring
The album is very much part of the alt canon, and its sudden diversions and veering are thus comparatively less unexpected
Fuzzed-up guitars squeeze a new muscularity out of Chesnutt’s naturalistic vocals during We Are Mean
It may not be as strange or disturbing as last year’s superb Blackout, but it knocks for six recent efforts by rivals
These works were published the year of the composer’s death. Many of his chosen texts refer to old age and its effects
An album by a rap superstar that features almost no rapping at all should not work. But 808s & Heartbreak is a triumph
This album finds Pollard sounding like a peyote-visionary who has wandered into a rehearsal by a 1970s prog-rock band
Vanska’s account of the Third Symphony — from the same concert — is a marvel of measured, uninflated eloquence
The majority of tracks clock in at the five- or six-minute mark, each of them bloated with guitar solos
Elder gives us a Gerontius of Parsifal-like spiritual depth that ranks with the greatest ever committed to disc
Butt takes advantage of the most up-to-date scholarship, and his Dunedin Consort comprises three stylish tenors
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